"THE THEATER FOR FASHION - OR SIA - METHOD Safe and easy to compose, and to have the OPERE Italiane in Music for Modern Use - In which - Useful Warnings and Needed by Poets, Music Composers, Musical Artists One, and the other Sex, Impressionists, Players, Engineers and Sculptors of Scenes, Blindfolds, Tailors, Paggi, Verse, Suggestions, Copywriters, Protectors, and Virtuous MADRIs, & Other People from the Theater. A book for the composer of it, printed in the Belisani villages for Aldiviva Licante, at the Bear's Peat Bowl, sold in the Coral Road to the Orlando Gate and will be re-launched each year with a new addition. " Coverage of the satirical booklet published anonymously by late Venetian composer Benedetto Marcello (July 24, 1686 - July 24, 1739) by the late 1720s, which evokes in it his grievances for the decay of the environment of Italian opera in the first twenty years of the eighteenth century . Already in the front page he offers clear allusions to famous protagonists of the Venetian theaters of the time, such as composer Antonio Vivaldi and singer Caterina Canteli, whose surnames conceal in that of the publisher of fantasy "Aldiviva Licante". Facsimile printing, sd

Italia

title: THE FASHION THEATER

subject date: 2017-06-04

caption: "THE THEATER FOR FASHION - OR SIA - METHOD Safe and easy to compose, and to have the OPERE Italiane in Music for Modern Use - In which - Useful Warnings and Needed by Poets, Music Composers, Musical Artists One, and the other Sex, Impressionists, Players, Engineers and Sculptors of Scenes, Blindfolds, Tailors, Paggi, Verse, Suggestions, Copywriters, Protectors, and Virtuous MADRIs, & Other People from the Theater. A book for the composer of it, printed in the Belisani villages for Aldiviva Licante, at the Bear's Peat Bowl, sold in the Coral Road to the Orlando Gate and will be re-launched each year with a new addition. " Coverage of the satirical booklet published anonymously by late Venetian composer Benedetto Marcello (July 24, 1686 - July 24, 1739) by the late 1720s, which evokes in it his grievances for the decay of the environment of Italian opera in the first twenty years of the eighteenth century . Already in the front page he offers clear allusions to famous protagonists of the Venetian theaters of the time, such as composer Antonio Vivaldi and singer Caterina Canteli, whose surnames conceal in that of the publisher of fantasy "Aldiviva Licante". Facsimile printing, sd

category: HIS

copyright: © Fototeca Gilardi

copyright status: Copyrighted Work

country: Italia

credit: Fototeca Gilardi

instructions: Per utilizzi: Fototeca Gilardi - t. 02 3931 2652

file date: 0000-00-00 00:00:00

object name: 71525

priority: 0

multiplying price: 1.00

pricing: default

continent: Europa

image century : XVIII

image epoch: Barocco

subject century: XVIII

subject epoch: Barocco

technique: Frontespizio

id: 40152

file name: FSNgilardi_71525.jpg

keywords

Amorous violinistPutto a violinboatallegorytheaterBenedetto MarcellomusicsatireVeniceOperaMarcello B.Venetian RepublicRepublic of VeniceRepublic of San MarcoSerenissimaironycriticismcriticalmusicalLion of St. MarkEighteenth century

Dimensioni in pixel: 3307 x 4843

Dimensioni file jpeg: 13065KB

Dimensione file non compresso: 46921.29 KB

Dimensioni di stampa (300dpi): 28 x 41 cm